This is Volume 2 of the series - A Guide to the Quabbalah. This book covers aspects of The Key to True Quabbalah, by Franz Bardon, and expands them. It is divided into four parts that serve the magician, the theurgist and the learning quabbalist.
This book covers aspects of The Key to True Quabbalah, by Franz Bardon, and expands them. It is divided into four parts that serve the magician, the theurgist and the learning quabbalist.
The book is concerned with the operation of the triad regarding the human being, according to the teachings of Hermes, the patron of music.
The quabbalist leaves this work with his soul free from the illusion of the material world, his senses infinite, free of limitations. He starts to hear the eternal songs of praise inside all creatures, the music crystallized inside all shapes and architecture, divine melodies in everything.
When the soul fully regains its original auditory sense of clairaudience, it starts to hear the music of the spheres and the spirit of the quabbalist joins the celestial choirs, taking part in the eternal good that controls the spheres.
We should start by remembering that each tone in The Key to the True Quabbalah seems to represent a different planetary sphere. Each tone has also a number of cosmic letters that should be intoned in that very same tone, and such cosmic letters represent the elements of such sphere. Such elemental regions we will explore, not in the order imposed from the divine microcosm to the divine macrocosm, from the C tone of Mars to the B tone of Neptune/Uranus, but from down below to up above, from the Earthzone (C#) to the Neptunian/Uranian sphere (B tone).
In C# we find the Earthzone, or Zone Girdling the Earth. We have given it the black oscillation of the Akasha. Its letter is the cosmic letter Y, governing the rhythm of life and harmony over the earth and the akasha principle in matter. If we imprint its pink color upon the black, we obtain the violet color, for the akasa goes, in descendant order, from black to dark violet and violet. In the Neptune/Uranus sphere we also have the letter U, which is pretty much like the Y letter but deeper, being responsible for the akasha principle and, again, for the akasha principle in matter. Its color is black and if we imprint it on the Uranian lilac we obtain the darker shade of violet, so that, in a way, the Earthzone is as an elemental region of this highest of spheres, and the 1 (Neptune/Uranus) and the 10 (Zone Girdling the Earth) are directly connected, as polarities of each other.
Some letters have been attributed to the Akasha, and they represent planetary elements we cannot fully understand from inside our present sphere. While the known elemental regions attributed to the Earthzone are the kingdoms of fire, air, water and earth (elements through which the Zone Girdling the Earth regulates contraction, expansion, refinement and density in matter), the Y is as a particular state of the akasha that labors upon the Earthzone.
It is from the Y and from the U, from sphere 10 to 1, that the elements of fire, air, water and earth ascend and descend to particular spheres of the cosmos from 9 to 2. Their elemental regions may be found in particular planets whose nature can reflect them in the akasha.
D# The Moonzone
In the Silvery-white oscillation of the Sphere of the Moon we can find a continuation of the elemental kingdom of water into the spiritual regions. It is depicted in the cosmic letter Ch, responsible for purity. This kingdom may be penetrated by (while standing in the Moonzone) uttering the Ch in the D# tone quabbalistically and imprinting upon the silvery-white of the Moon the violet color of the letter Ch. The magician will be met with a beautiful silver-violet color where he may find the water elementals of the Moonzone, of which we shall give one example.
Pharuan has a strange, exotic, abnormal but beautiful and sparkling appearance. She teaches the rhythms of all things in their connection to all other things, so that the magician may become a mathematician of the sensory perceptions. Pharuan holds the spiritual mysteries of growth, sensuality and fertility.
Now in the Moonzone there appears another elemental region depicted by the cosmic letter Õ (Oe), responsible for evolution even inside the quintessence. It is as the akashic form of the earth element, and the magician may unblock this elemental region by, inside the Moonzone, pronouncing the Õ quabbalistically in the D# tone, imprinting its orange color into the silvery-white, by which he will shift into a zone of pure white-orange. In here, he may find the earth elementals of the Moonzone, of which, again, we shall give one example.
Sulipar appears to me in an animalistic shape very hard to describe, something between a fluffy white silk worm, a lizard and a gnome. When he sits up he becomes very elegant in a strange manner, more in the likeness of a cricket, and he holds a silver flute. By playing his flute he can change the qualities of all material things and make them more kin or averse to other things, eventually changing substance and even physical form. This being, therefore, can teach a lot on alchemical Quabbalah and on the gravity between the microcosm and the macrocosm, and holds sway of gravity and magnetism, or better put, the gravity of magnetism.
D The Sphere of Mercury
In the orange oscillation and the D vibration of the sphere of Mercury we can find three laboring elements. Two are elemental forces per se, and the other is a particular graduation of the Akasha. This particular graduation is contained in the cosmic letter E, of a violet akashic color: the zone of labor accessed is reddish gray and responsible for omnipresence.
The omnipresence (E, Mercury) of harmony (Y, Earthzone) is expressed in the elemental regions of the moon according to Ch and Õ. In the moonly earth element it manifests as transformation, in the water element it manifests as rhythm.
But beyond the region accessed through the E letter in Mercury, there is an element between fire and air accessed via the C letter, responsible for giving form to divine ideas or transforming divine ideas, and one elemental kingdom of water accessed via the M letter, being the cosmic root of the water element itself. We may envision the M as the top of the triangle with Ch and Õ below, while the C works in quadripolarity with Ch and Õ. That is, while the M has the rarified aspects of rhythm and transformation, being the fluid principle, the C completes (as both fire and air) the Ch water and the Õ earth, in such a way that the Mercury Sphere and the Moonzone are partly part of the same laboring structure.
The fire aspect in C conceives the ideas, its air aspect has them radiate, the Ch gives them rhythm and the Õ the capacity to transform and be transformed.
The sphere magician may then pronounce quabbalistically, in D tone, the cosmic letter C inside the Sphere of Mercury, adding the C’s vermillion color to the orange oscillation of Mercury, entering by such means the reddish orange realm, where he will meet the fiery/airy elementals of the Mercury Sphere. Huoran is an example.
Additional material Only Available in Paperback & Hardback Versions:
'This is a genuine addition to the hermetic material given to us by Franz Bardon. The techniques Franz Bardon gave us in his 3rd book ‘Key to the True Quaballah’ are enriched and deepened through the expression of music and form as outlined by Andre in this 2nd volume of the ‘Magical Study Series’.
This work does not seek to change or modify the praxis given by Bardon in ‘The Key to the True Quabbalah’. Rather it provides further depth and greater opportunity for practical work. The inherent beauty of the creative word is expressed very clearly. Music and geometry along with the transcendental oscillations of the spheres all enhance the sublime dance of the magus as he speaks the creative word.
The formula magician will undoubtedly be encouraged to utilise the praxis provided which will likely encourage further original personal research. In my view, this 2nd volume by Andre Consciencia should sit alongside Franz Bardon’s ‘The Key To The True Quabbalah’ on the bookshelf.'
Phillip Harris-Smith
This book covers aspects of The Key to True Quabbalah, by Franz Bardon, and expands them. It is divided into four parts that serve the magician, the theurgist and the learning quabbalist.
The book is concerned with the operation of the triad regarding the human being, according to the teachings of Hermes, the patron of music.
The quabbalist leaves this work with his soul free from the illusion of the material world, his senses infinite, free of limitations. He starts to hear the eternal songs of praise inside all creatures, the music crystallized inside all shapes and architecture, divine melodies in everything.
When the soul fully regains its original auditory sense of clairaudience, it starts to hear the music of the spheres and the spirit of the quabbalist joins the celestial choirs, taking part in the eternal good that controls the spheres.
In this book, you will also find:
This book covers aspects of The Key to True Quabbalah, by Franz Bardon, and expands them. It is divided into four parts that serve the magician, the theurgist and the learning quabbalist.
The book is concerned with the operation of the triad regarding the human being, according to the teachings of Hermes, the patron of music.
The quabbalist leaves this work with his soul free from the illusion of the material world, his senses infinite, free of limitations. He starts to hear the eternal songs of praise inside all creatures, the music crystallized inside all shapes and architecture, divine melodies in everything.
When the soul fully regains its original auditory sense of clairaudience, it starts to hear the music of the spheres and the spirit of the quabbalist joins the celestial choirs, taking part in the eternal good that controls the spheres.
In this book, you will also find:
André lives in Portugal and has been a dedicated Bardon practitioner for twenty-one years now. He joined Fraternitas Hermetica (an order based on the works of Bardon) while still a minor and had an initiator that stood even after the order vanished. He also has worked with his old initiator for 20 years. He has experience of other magical systems such as AMORC, Order of Michael’s Grail (with roots on Dion Fortune), Thelemic Golden Dawn and Astrum Argentum.
André teaches neo-shamanism and has his own active group of practitioners. Aside from his shamanic path, which he puts to use as a simple way to reach the uninitiated, he has been through the hermetic magical systems of Franz Bardon, as well as through systems presented by Rosicrucian orders and Thelemic organizations, still being an active member of the Horus Maat Lodge. He also is teaching a full magical online study curriculum taking students from beginner to adepthood on The Perseus Arcane Academy.
Aside from his magical path, Andre is an accomplished author, poet, playwright, musician and founder of a Theater Company – CIA.MefisteatroY
