Submissions Studio

Submitting to a film festival, screenplay competition, or production company?

Most projects don’t get rejected because they’re “bad.” They get rejected because the materials don’t match what the reader expects.

Submissions Studio builds your submission package around ONE specific target: the film festival, screenplay competition, or film company you name, so your logline and synopsis land with the right tone, emphasis, and clarity.

You give us your project + target (festival/competition/company) + any rules/word limits. We return a submission-ready package that matches what gatekeepers expect, written with the right tone, length, and emphasis for that destination.

What you get (Submission Package)

• Logline (tight, market-facing, based on your target festival/competition/production company))
• Short synopsis (festival/reader-friendly)
• Long synopsis (clear, escalating, spoiler-aware where needed)
• Cover letter (targeted, non-cringe, professional)
• Director statement/writer statement (purpose + voice, aligned to your specific target)
• Positioning notes (what to emphasize / what to avoid for that target)
• (When it helps) 2–4 alternate logline angles to improve fit

Best for

• “I’m applying to this festival/competition/company, and I want my materials to look professional.”
• “My logline/synopsis isn’t landing, and I can’t tell why.”
• “I need a coherent package, not random versions.”

What you’ll provide

• Title + format (feature/short/series)
• Your Target Name (What particular film festival/Screenplay Competition/Production Company)
• Genre + tone comps (optional but helpful)
• Any required rules (word counts, premiere status, region, language, etc.)
• Your draft logline/synopsis, if you have one (optional)

Important

• No templates. Context-first.
• We don’t invent credits or hype.
• We don’t rewrite your screenplay. We sharpen how you present what already exists.