Abattoir Clown (1999)

Electronic Music Album

In 1999, as the world shifted from analog warmth to digital precision, Perry Mark Stratychuk released an album that felt less like a collection of tracks and more like a ritual performed inside a machine. Built from early‑era sampling techniques, glitch‑textures, and cinematic ambient structures, the album became a cornerstone of what would later be called the ElektricTea Memory‑Engine Mythos.

Listeners described the album as “a dream in nine movements,” each track a portal into a different emotional frequency. “Julia Remembered” emerged as the heart of the album, a meditation on loss, recollection, and fragile beauty. Meanwhile, “Hotel Room in Berlin” introduced a recurring location in Stratychuk’s sonic universe: a room that exists across timelines, appearing in later albums, films, and stories as a site of transformation.

Over time, the album became recognized not just as a musical release, but as the first chapter in a decades‑long narrative. Its themes of memory, ritual, and digital identity echo through later works, including the Soft Mechanism Trilogy science fiction book trilogy and the Tin Toy Killer visual canon. Today, the album stands as a recovered artifact, a relic from the early digital era that continues to influence the ceremonial storytelling of ElektricTea Media Studio.

Released in 1998

You will receive a 9-track album in FLAC format.