Abel Ferrara's Cult Classic The Driller Killer Full HD Widescreen Edition
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The Driller Killer is a 1979 black comedy slasher film directed by Abel Ferrara and starring Ferrara (credited as Jimmy Laine), Carolyn Marz, Baybi Day, and Harry Schultz. The plot concerns Reno Miller, a struggling artist in New York City, turning insane from stress and killing derelicts with a power drill.[2]
When the film was released on video cassette in 1982, its graphic packaging drew complaints which landed the release on a list of "video nasties" that were banned in the United Kingdom under the Video Recordings Act 1984. An edited version was later granted an 18 certificate and released in 1999, and a full uncut version was approved by the BBFC in November 2002. Plot[edit]
Artist Reno Miller (Abel Ferrara) and his girlfriend Carol enter a small Catholic church, where he approaches an elderly bearded man (revealed as Reno's estranged derelict father) kneeling at the pulpit. The derelict seizes Reno's hand, causing him and Carol to flee from the church, unknown to him that the derelict contained a paper with Reno's information, requesting a meeting with him. Reno denies knowing who the derelict was.
Later, at his apartment, Reno receives a large Con-Ed electricity bill, the phone bill and cannot pay his rent. He shares an apartment with Carol, a former flight attendant, and her drug-addicted lover Pamela, in a derelict-filled neighbourhood in Union Square. Reno visits Dalton, an art gallery owner, and tells him that he is currently painting a masterpiece. Reno asks for a week's extension and a loan of $500 to cover the rent; however, Dalton refuses, saying that he has already lent enough money to Reno. However, if Reno finishes a satisfactory painting in one week, Dalton will buy it for the necessary amount.
The following day, a No Wave band named the Roosters begin practising their music in a nearby apartment, in which the music makes Reno unnerved and frustrated. At 2:00 in the morning, Reno becomes more agitated from the Roosters' music while painting. After seeing his own image saturated in blood, Reno walks the streets in the dark. He sees an elderly derelict sleeping in a garbage-strewn alley, where he grabs the bum and begins ranting. Reno ducks with the bum into the alley where they see a small group of teenage gang members chasing another homeless bum down the street. When the gang members are gone from sight, Reno drops the bum to the ground and walks away, vowing that he will not end up like a derelict.
The next day, Reno complains about the Roosters to their landlord. However, the landlord refuses to act because the music does not bother him. He gives Reno a skinned rabbit for dinner, but instead demands the rent money. Reno takes the rabbit home and repeatedly stabs it while preparing it. During a brief reprieve from the music, Reno mentally hears voices calling his name and sees an image of an eyeless Carol. That night, Reno leaves outside and armed with a power drill connected to a portable battery pack. He discovers another derelict inside an abandoned building and brutally kills him. The following evening, Reno, Carol and Pamela see Tony Coca-Cola and the Roosters at a nightclub. As the Roosters play, Reno becomes irritated by the music and crowd and leaves while Carol and Pamela dance and kiss.Reno returns to his apartment, grabs his drill and goes out on a killing spree. Throughout the night, Reno kills a number of homeless bums all over the city before returning home to sleep. Later, Tony visits Reno's apartment and asks Reno to paint a portrait of him, in which Tony agrees to pose for Reno's demand of $500 rent bill. As Reno paints, Tony poses by playing his guitar and kissing Pamela. A derelict in a nearby alley (upset by the noise) is later attacked and killed by Reno. Afterwards, Reno completes his painting, where he then wakes and notifies Pamela and Carol.
The next day, Reno and Carol show the painting to Dalton who leaves after declaring it "unacceptable" and Carol yells at Reno for sitting with a blank facial expression, resulting her leaving Reno for her ex-husband Stephen by the next morning. That evening, Reno calls Dalton and invites him to see another painting. When Dalton arrives as the Roosters are practising, a dressed-up Reno kills him with his drill. After visiting the Roosters, Pamela returns to the apartment where, upon the discovery of Dalton's body inside, she flees into the hallway before Reno grabs her. Pamela's fate is left ambiguous.
Across town, Carol is back with Stephen at his apartment. She takes a shower while Stephen prepares tea. Reno enters the apartment, kills Stephen, and then hides his body behind a kitchen counter. Carol, exiting from her shower, walks to the bedroom where Reno hides under the bed covers. She turns off the lights, gets into bed, and tells Stephen to "come here..."; The film suddenly ends, leaving Carol's ultimate fate unknown. Cast[edit]
Abel Ferrara (credited as Jimmy Laine) – Reno Miller
Carolyn Marz – Carol
Baybi Day – Pamela Bergling
Harry Schultz II – Dalton Briggs
Alan Wynroth – Landlord
Maria Helhoski – Nun
James O'Hara – Man in church
Richard Howorth – Carol's husband
D.A. Metrov (credited as Rhodney Montreal) – Tony Coca-Cola Directed by
Abel Ferrara
Produced by
Rochelle Weisberg
Written by
Nicholas St. John
Starring
Abel Ferrara (as Jimmy Laine)
Carolyn Marz
Baybi Day
Harry Schultz
Alan Wynroth
Music by
Joseph Delia
Cinematography
Ken Kelsch
Edited by
Bonnie Constant
Michael Constant
Orlando Gallini
Abel Ferrara (as Jimmy Laine)
Distributed by
Rochelle Films
Cult Epics
Release date
June 15, 1979
Running time
96 minutes (theatrical release),101 (uncut)
Country
United States
Language
English/Production[edit]
An example of the use of cross-cutting POV shots in the film as the protagonist Reno (on the right) plays pinball while Pamela looks on.
The Driller Killer is a low-budget, independent feature, with a cast of unknown actors, produced by Ferrara's own Navaron Films company 1977–78 filmed on 16mm film and utilised Ferrara's Union Square apartment and adjacent streets as locations.[5] It features many of the elements that became trademarks of Ferrara's later films including Catholic iconography, lesbian scenes, gritty urban locations filmed at night, an eclectic soundtrack combining punk rock and Bach, scenes of extreme violence and a religious theme of redemption, salvation and damnation. The punk rock band in the movie reflects contemporary New York punk bands such as the New York Dolls and Television
In the Driller Killer trailer, Reno is heard to say a line from a scene that does not appear in the finished movie: "It's just a window, Dalton. As a final footnote in the film's history, when Arrow Films was preparing the film for re-release (the edition came out in November 2016), they discovered that the print they had was five minutes longer than any previous release on the film. They contacted Ferrara, who confirmed that it was a pre-release version, and that he had intentionally removed the footage prior to the release of the theatrical version. Arrow obtained permission to include this version as an extra in their release. The additional five minutes are all in the first half of the film and appear at seven points, including a shot of a zeppelin lasting just a few seconds, a brief lesbian shower scene, and an argument scene lasting a full two-and-a-half minutes. Most of the new footage relates to the characters' development and backstory. Censorship[edit]
The film was released theatrically in America without controversy in 1979. In the United Kingdom, however, the reaction to the video release was very different.[10] In 1982, the UK distributors of Driller Killer, Vipco (Video Instant Picture Company) took out full page advertisements in a number of movie magazines showing the video's violently explicit cover, depicting a man being drilled through the forehead by the Driller Killer.[10] The tagline for the advertising and video box was: "There are those who kill violently."[8]
The advertising resulted in a large number of complaints to the Advertising Standards Agency, and opposition to the film from the press and elsewhere; however, it seems that very few of the complainants ever saw the film but based their opinion on the poster and title.[10]
The film was lumped together with other "video nasties" released at the time and a vociferous campaign was launched by the press to ban them all. Driller Killer was added to the list of banned UK films on 4 July 1983, just a year after its release date.[8] According to Mike Bor, the Principal Examiner at the British Board of Film Classification, "The Driller Killer was almost single-handedly responsible for the Video Recordings Act 1984" under which it and others of the "video nasties" released at the time were banned in the U.K.[10] According to Brad Stevens, author of a biography on Abel Ferrara, the banning of the film was "almost entirely due to the cover of the video."[8] The film was classified R 18+ in Australia by the Australian Classification Board and released uncut on home video on April 29, 1985. It was released on DVD twice in the country: first by Umbrella Entertainment and again on August 9, 2013, when it was re-rated MA 15+.
The film was not officially released uncut in the UK until 2002.
When the film was released on video cassette in 1982, its graphic packaging drew complaints which landed the release on a list of "video nasties" that were banned in the United Kingdom under the Video Recordings Act 1984. An edited version was later granted an 18 certificate and released in 1999, and a full uncut version was approved by the BBFC in November 2002. Plot[edit]
Artist Reno Miller (Abel Ferrara) and his girlfriend Carol enter a small Catholic church, where he approaches an elderly bearded man (revealed as Reno's estranged derelict father) kneeling at the pulpit. The derelict seizes Reno's hand, causing him and Carol to flee from the church, unknown to him that the derelict contained a paper with Reno's information, requesting a meeting with him. Reno denies knowing who the derelict was.
Later, at his apartment, Reno receives a large Con-Ed electricity bill, the phone bill and cannot pay his rent. He shares an apartment with Carol, a former flight attendant, and her drug-addicted lover Pamela, in a derelict-filled neighbourhood in Union Square. Reno visits Dalton, an art gallery owner, and tells him that he is currently painting a masterpiece. Reno asks for a week's extension and a loan of $500 to cover the rent; however, Dalton refuses, saying that he has already lent enough money to Reno. However, if Reno finishes a satisfactory painting in one week, Dalton will buy it for the necessary amount.
The following day, a No Wave band named the Roosters begin practising their music in a nearby apartment, in which the music makes Reno unnerved and frustrated. At 2:00 in the morning, Reno becomes more agitated from the Roosters' music while painting. After seeing his own image saturated in blood, Reno walks the streets in the dark. He sees an elderly derelict sleeping in a garbage-strewn alley, where he grabs the bum and begins ranting. Reno ducks with the bum into the alley where they see a small group of teenage gang members chasing another homeless bum down the street. When the gang members are gone from sight, Reno drops the bum to the ground and walks away, vowing that he will not end up like a derelict.
The next day, Reno complains about the Roosters to their landlord. However, the landlord refuses to act because the music does not bother him. He gives Reno a skinned rabbit for dinner, but instead demands the rent money. Reno takes the rabbit home and repeatedly stabs it while preparing it. During a brief reprieve from the music, Reno mentally hears voices calling his name and sees an image of an eyeless Carol. That night, Reno leaves outside and armed with a power drill connected to a portable battery pack. He discovers another derelict inside an abandoned building and brutally kills him. The following evening, Reno, Carol and Pamela see Tony Coca-Cola and the Roosters at a nightclub. As the Roosters play, Reno becomes irritated by the music and crowd and leaves while Carol and Pamela dance and kiss.Reno returns to his apartment, grabs his drill and goes out on a killing spree. Throughout the night, Reno kills a number of homeless bums all over the city before returning home to sleep. Later, Tony visits Reno's apartment and asks Reno to paint a portrait of him, in which Tony agrees to pose for Reno's demand of $500 rent bill. As Reno paints, Tony poses by playing his guitar and kissing Pamela. A derelict in a nearby alley (upset by the noise) is later attacked and killed by Reno. Afterwards, Reno completes his painting, where he then wakes and notifies Pamela and Carol.
The next day, Reno and Carol show the painting to Dalton who leaves after declaring it "unacceptable" and Carol yells at Reno for sitting with a blank facial expression, resulting her leaving Reno for her ex-husband Stephen by the next morning. That evening, Reno calls Dalton and invites him to see another painting. When Dalton arrives as the Roosters are practising, a dressed-up Reno kills him with his drill. After visiting the Roosters, Pamela returns to the apartment where, upon the discovery of Dalton's body inside, she flees into the hallway before Reno grabs her. Pamela's fate is left ambiguous.
Across town, Carol is back with Stephen at his apartment. She takes a shower while Stephen prepares tea. Reno enters the apartment, kills Stephen, and then hides his body behind a kitchen counter. Carol, exiting from her shower, walks to the bedroom where Reno hides under the bed covers. She turns off the lights, gets into bed, and tells Stephen to "come here..."; The film suddenly ends, leaving Carol's ultimate fate unknown. Cast[edit]
Abel Ferrara (credited as Jimmy Laine) – Reno Miller
Carolyn Marz – Carol
Baybi Day – Pamela Bergling
Harry Schultz II – Dalton Briggs
Alan Wynroth – Landlord
Maria Helhoski – Nun
James O'Hara – Man in church
Richard Howorth – Carol's husband
D.A. Metrov (credited as Rhodney Montreal) – Tony Coca-Cola Directed by
Abel Ferrara
Produced by
Rochelle Weisberg
Written by
Nicholas St. John
Starring
Abel Ferrara (as Jimmy Laine)
Carolyn Marz
Baybi Day
Harry Schultz
Alan Wynroth
Music by
Joseph Delia
Cinematography
Ken Kelsch
Edited by
Bonnie Constant
Michael Constant
Orlando Gallini
Abel Ferrara (as Jimmy Laine)
Distributed by
Rochelle Films
Cult Epics
Release date
June 15, 1979
Running time
96 minutes (theatrical release),101 (uncut)
Country
United States
Language
English/Production[edit]
An example of the use of cross-cutting POV shots in the film as the protagonist Reno (on the right) plays pinball while Pamela looks on.
The Driller Killer is a low-budget, independent feature, with a cast of unknown actors, produced by Ferrara's own Navaron Films company 1977–78 filmed on 16mm film and utilised Ferrara's Union Square apartment and adjacent streets as locations.[5] It features many of the elements that became trademarks of Ferrara's later films including Catholic iconography, lesbian scenes, gritty urban locations filmed at night, an eclectic soundtrack combining punk rock and Bach, scenes of extreme violence and a religious theme of redemption, salvation and damnation. The punk rock band in the movie reflects contemporary New York punk bands such as the New York Dolls and Television
In the Driller Killer trailer, Reno is heard to say a line from a scene that does not appear in the finished movie: "It's just a window, Dalton. As a final footnote in the film's history, when Arrow Films was preparing the film for re-release (the edition came out in November 2016), they discovered that the print they had was five minutes longer than any previous release on the film. They contacted Ferrara, who confirmed that it was a pre-release version, and that he had intentionally removed the footage prior to the release of the theatrical version. Arrow obtained permission to include this version as an extra in their release. The additional five minutes are all in the first half of the film and appear at seven points, including a shot of a zeppelin lasting just a few seconds, a brief lesbian shower scene, and an argument scene lasting a full two-and-a-half minutes. Most of the new footage relates to the characters' development and backstory. Censorship[edit]
The film was released theatrically in America without controversy in 1979. In the United Kingdom, however, the reaction to the video release was very different.[10] In 1982, the UK distributors of Driller Killer, Vipco (Video Instant Picture Company) took out full page advertisements in a number of movie magazines showing the video's violently explicit cover, depicting a man being drilled through the forehead by the Driller Killer.[10] The tagline for the advertising and video box was: "There are those who kill violently."[8]
The advertising resulted in a large number of complaints to the Advertising Standards Agency, and opposition to the film from the press and elsewhere; however, it seems that very few of the complainants ever saw the film but based their opinion on the poster and title.[10]
The film was lumped together with other "video nasties" released at the time and a vociferous campaign was launched by the press to ban them all. Driller Killer was added to the list of banned UK films on 4 July 1983, just a year after its release date.[8] According to Mike Bor, the Principal Examiner at the British Board of Film Classification, "The Driller Killer was almost single-handedly responsible for the Video Recordings Act 1984" under which it and others of the "video nasties" released at the time were banned in the U.K.[10] According to Brad Stevens, author of a biography on Abel Ferrara, the banning of the film was "almost entirely due to the cover of the video."[8] The film was classified R 18+ in Australia by the Australian Classification Board and released uncut on home video on April 29, 1985. It was released on DVD twice in the country: first by Umbrella Entertainment and again on August 9, 2013, when it was re-rated MA 15+.
The film was not officially released uncut in the UK until 2002.