The Raven Has Landed

In the light of day, a paradox unfolds. Humanity has learned to believe that sunlight means safety, that brightness dispels evil, and that shadows are merely shadows—lifeless, powerless. In the forest, where morning rays caress the treetops, this myth persists, still alive in the minds of those who expect no danger.

But light is no guarantee of peace. Black Assasin knows this better than anyone. He does not need darkness to vanish. He does not wait for night to blend into the landscape. To him, daylight is merely another illusion—another layer of reality that can be bent, broken, outwitted.

Under the sun, everything seems simple. Soldiers, resting within the base, live with the fleeting certainty that today will not bring their deaths. Light is hope. Light is predictability. But in this moment, among towering trees, a shadow is born—one that does not need the cover of night to be ruthless.

Raven Has Landed is more than a story of conflict. It is a parable about the illusion of safety, about destiny that knows neither night nor day. It is a meditation on the nature of war, on the silence before the first shot, on the moment when the world holds its breath, knowing that the hour of reckoning has arrived.

And when the sun reaches its peak, when its rays touch every corner of the base, the truth will emerge: light does not protect against fate.

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