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Set Theoretic Solution for the Tuning Problem

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Why do some notes sound harmonious while others clash? Many theories attempt to explain consonance and dissonance, but each has its limitations. In this eBook, I explore the boundaries of today’s most compelling theories and introduce a new approach rooted in set theory. This mathematical framework gives rise to naturally dynamic tuning systems — suitable for both harmonic and inharmonic timbres, from pure sine waves to complex sounds. Most importantly, it provides a method for quantifying consonance in intervals and chords, opening the door to a wide range of practical applications for musicians, composers, and developers alike.


You will get a PDF (4MB) file

What to Expect

This eBook is written for curious minds—those without formal training in mathematics, music theory, or tuning—who are eager to explore the deeper questions of musical structure. Though just 65 pages, it is densely packed with original insights drawn from years of independent research into tuning theory and the perception of consonance. None of the content is AI-generated; every chapter reflects a personal and rigorous investigation into this complex field.


The book incorporates recent findings from psychoacoustics while introducing a completely original approach to musical tuning based on set theory—a perspective not found elsewhere in existing literature. This set-theoretic framework offers a fresh and powerful way to understand consonance, harmony, and the structure of tuning systems.


While some of the concepts and mathematical ideas can be challenging, the book is designed to be as accessible as possible. It begins with a clear explanation of why tuning is a non-trivial problem and gradually introduces the key concepts needed to follow the theory. Each step is supported with detailed explanations, making it approachable even for those with no prior experience in the subject.


An extensive list of references is included at the end, providing a solid foundation for further exploration. Below, you'll find a brief overview of each chapter, along with screenshots that offer a glimpse into the content and style of the eBook.

Chapter 1: Introduction to the Tuning Problem

We begin by exploring why tuning is far from a trivial issue. The chapter introduces the reader to fundamental ideas in tuning theory and lays the groundwork for understanding both historical and scientific approaches to consonance.

Chapter 2: History and Methodology of the Tuning Theory

This chapter examines the history of European tuning traditions, tracing their roots to Ancient Greece. We explore the philosophical underpinnings of these systems and analyze how they continue to influence modern thinking. By tracing their development we explain how and why modern equal temperament system emerged and what is lost by adopting it. Finally, we assess the state of empirical research on consonance and identify gaps in existing theories, setting the stage for a new approach.

Chapter 3: Mathematical Representation of Sound

Here, we delve into the physical nature of sound waves and show how they can be represented as sets of frequencies. We examine different types of sets, connect them to the properties of real-world sounds, and draw parallels with current scientific models of consonance.

Chapter 4: Measures of Consonance

In this chapter, we propose a formal definition of consonance and develop a mathematical representation based on the set-theoretic model. Two core concepts — affinity and harmonicity — are introduced to quantify consonance. We compare those measures with existing theories and demonstrate how their combination provides more general understanding of consonance.

Chapter 5: From consonance to tuning

We show how tuning systems can emerge naturally from the concepts of affinity and harmonicity. These measures allow us to quantify the consonance between any two sounds on a scale from 0 (no consonance) to 1 (perfect consonance). The chapter culminates in the presentation of the Harmonic Superset Tuning System — a naturally dynamic system with broader applicability than any other tuning system.

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About the Author

My name is Seva Deriushkin. I'm a software developer based in Sweden, the creator of the New Tonality YouTube channel, and a former researcher in the physics of semimetals. I also play piano and electric guitar, and compose instrumental music.


My journey into tuning theory began while recording a song, when I found myself asking simple but profound questions: Why do we have 12 notes? What makes a major chord sound 'happy' and a minor chord 'sad'? That curiosity led me down a deep rabbit hole into the science and history of musical tuning.


With a background in scientific research, I approached these questions from an empirical perspective — seeking explanation in the biology and structure of our hearing system. Over time, I developed a theoretical framework that I now aim to put into practice. As a software engineer, I’m excited to build tools that can help musicians explore tuning in new, more expressive ways.

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