Problems & Solutions

Proposal Essay: “Problems of & Solutions for Bengali Cinema/Art/Media Industry”

By Saibal Ray | February 2025

In this sharply analytical and thought-provoking proposal essay, Saibal Ray offers a bold, deeply informed diagnosis of the declining state of the Bengali cinema, art, and media industry. With a combination of personal experience, intellectual insight, and constructive foresight, Ray not only dissects the root causes of the industry’s current stagnation but also lays out a visionary roadmap toward revival and excellence.

The essay begins by candidly addressing the declining artistic and intellectual quality of Bengali media. Ray argues that regional performers and creators often fall far short of international standards due to the lack of rigorous training and the absence of a merit-based ecosystem. This mediocrity, he contends, has led to a general cultural bias where Bengali audiences—particularly the educated middle class—prefer English or Hindi content over local productions.

Ray outlines ten key problems plaguing the industry, including the dismal public image of Bengali intellectuals, lack of incentives for talented youth, toxic political dynamics within film federations and schools, and the deeply entrenched nepotism that discourages merit-based progress. He notes how this has contributed to the sector’s failure to attract intelligent, ambitious, and creative minds. The industry, he says, has glorified poverty and struggle to such an extent that it has become economically unattractive for new entrants.

But this essay is far from a mere lament. In its second half, Ray proposes practical and compelling solutions that could reshape the future of Bengali cinema and arts. He advocates for a licensing system based on merit, publicly accountable film school recruitments, government subsidies for regional films, and the promotion of experimental indie content. He further calls for the creation of a progressive implementation committee comprising experienced bureaucrats—free from the influence of corrupt or pseudocreative figures.

Ray also stresses the importance of making Bengal investment-friendly for national and international creative ventures, irrespective of language. He boldly argues that regional exclusivity is outdated in the age of digital convergence and that true revival lies in openness, professionalism, and excellence.

With clear prose, sharp critique, and forward-thinking solutions, “Problems of & Solutions for Bengali Cinema/Art/Media Industry” is an urgent call to action. It is essential reading for policymakers, investors, film professionals, educators, students, and anyone invested in the cultural future of Bengal and beyond.