This conceptual piece bridges the gap between the structured luxury of the roaring twenties and the ethereal, fluid storytelling of Japanese woodblock prints, all viewed through the lens of a fever dream.

The artwork juxtaposes the rigid, man-made geometry of Art Deco skyscrapers with the organic, albeit distorted, forms of marine life and nature characteristic of Ukiyo-e. The Surrealist influence acts as the connective tissue, allowing these disparate timelines and philosophies to coexist in a space where time is liquid and architecture is sentient.