1994 Congress Papers

33 papers and presentations from the 1994 International Congress. 120 pages.

Contents:

Marjory Barlow: ‘Recollections of my Uncle F.M. Alexander’

Walter & Dilys Carrington: ‘Text of Video-taped Message’

Jeremy Chance: ‘The Enneagram of Change’

Michael Dale: ‘'Lost Tradition' of Bel Canto’

Dr. Pam Davies: ‘Neural Control of Vocalisation and Speech’

Doris Dietschy: ‘The Meaning of Change’

Michael Frederick: ‘Alexander Congresses and the Alexander Community’

Dr. Brian Freeman: ‘The Embryo’s Use of Its Self’

Dr. David Garlick: ‘Recent Physiological Research into the Alexander Technique’

Tony Greeves: ‘Dance Injuries: The Process of Learning in Dance’

Deborah de Graaf: ‘Relevance of Alexander for Musicians under Stress’

Peter Grunwald: ‘Eyesight

Vision and the Alexander Technique’

Jane Heirich: ‘Monkeying Around with Your Voice’

Eva Karczag: ‘Moving the Moving’

Catherine Kettrick: ‘Alexander Technique: 2094’

Yehuda Kuperman: ‘The Kangaroo and the Alexander Technique’

Professor Eugene Lumbers: ‘Welcoming Address’

Vivien Mackie: ‘Surprises in the Music Class’

Don Mixon: ‘The Mind Body Paradox’

Rosslyn McLeod: ‘Alexander: Historial Overview’

Linda Murrow: ‘Reflections on the Psychological Dimension of the Alexander Technique’

Graham Pont: ‘Body and Mind in the Thought of FM Alexander and John Anderson’

Chris Raff: ‘Business Aspects of an Alexander Teacher’s Practice’

Razia Ross: ‘Ruminations on the Mind/Body Continuum’

Eugene Schlusser: ‘Alexander & TV/Video Media’

David Tracey: ‘Welcoming Address’

Ken Thompson: ‘Unreliable Sensory Appreciation’

Lucia Walker: ‘Contact Improvisation’

Elizabeth Waterhouse: ‘Alexander & the Musician’

Professor Ian Webster: ‘Alexander & Health’

Duncan Woodcock: ‘Balancing Body & Psyche’

Maggie Young: ‘Alexander the Play – The Off-Broadway Production’

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