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Untitled in D Lydian-ish for Clarinet and Violoncello

$10.00

Pulse Salience

Deep Within, Far Without for Violin, Clarinet, and Piano

$12.00

Requiescant: Two Settings for Voice and Piano

"The Lions Have Their Own Historians" for Contrabass Solo

$10.00

Clarinet Duo: “Rose marred to amethyst in the knife fall.”

$10.00

Structural Oppressions of Memory: Complete

Structural Oppressions of Memory IV

Structural Oppressions of Memory III

Structural Oppressions of Memory II

Structural Oppressions of Memory I

Canon V

Canon IV

Canon III for Three

Canon Number Two

$10.00

About Me

A native of Stafford, Virginia, Composer Melika M. Fitzhugh (A.B. Harvard-Radcliffe, M.M. Longy School of Music of Bard College) studied conducting and composition with Thomas G. Everett, Beverly Taylor, James Yannatos, Roger Marsh, Jeff Stadelman, and, most recently, John Howell Morrison. Mel's compositions have been performed internationally by the PHACE Ensemble, Quarteto Larianna, the Brouwer Trio, Radcliffe Choral Society, Berit Strong, John Tyson, Miyuki Tsurutani, and Aldo Abreu. The artist, who has composed music for film and stage, is currently a member of world & early music ensembles Urban Myth, Balkan Fields, and the Quilisma Consort.

http://www.melikamfitzhugh.com