Blues Soloing Maps - Playing the Changes
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Most blues players learn the minor pentatonic, find a position that works, and stay in it. The solos sound fine until you listen back and hear that every chorus is the same. The changes are happening underneath. Your playing isn't responding to them.
Playing the changes means a listener can tell which chord is underneath you without watching your hands.
Book 1 is one concept. No theory to wade through, no new patterns to learn — a single idea you apply to every chord in a 12-bar blues. It covers why one scale over the whole progression holds you back, how to outline the I, IV and V, and worked examples you can hear immediately.
This is probably the shortest book you'll ever read on blues soloing. The concept fits on a page. It takes weeks to fully develop, but you'll hear the difference the first time you use it.
PDF. Instant download.
Playing the changes means a listener can tell which chord is underneath you without watching your hands.
Book 1 is one concept. No theory to wade through, no new patterns to learn — a single idea you apply to every chord in a 12-bar blues. It covers why one scale over the whole progression holds you back, how to outline the I, IV and V, and worked examples you can hear immediately.
This is probably the shortest book you'll ever read on blues soloing. The concept fits on a page. It takes weeks to fully develop, but you'll hear the difference the first time you use it.
PDF. Instant download.