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Reflective scene from Benjamin West’s 1791 painting The Expulsion of Adam and Eve from Paradise, showing the Archangel Michael expelling Adam and Eve from Eden as a serpent slithers away below, symbolizing separation from Paradise and the divine.

The Tide Between Us and God

I’d read the sentence a hundred times in my life without ever really reading it:


“Sin separates you from God.”


It’s one of those phrases that gets repeated so often that eventually it becomes almost invisible.

We hear it, we understand roughly what we’re supposed to understand, and we move on.

But this time, I came across something that made me stop.


Is the word “sin” connected to an ancient Mesopotamian god named Sin (Suen or Nanna in Sumerian), who was associated with the moon?


And I just sat there for a moment.


Because in all the years I’d heard that sentence, I had never once considered the correlation.


I Didn’t Want to Believe It Too Quickly


My first reaction was actually doubt.


I know enough about etymology to be cautious. Words can look related when they aren't.

Similar sounds don't necessarily mean shared ancestry, and spiritual writing sometimes makes connections that are much more poetic than historical.


So I went looking.


And what I found was much murkier than I thought. Most linguists trace the English word sin through Old English and Germanic roots, rather than directly back to the Akkadian moon god Sin.


So I don't want to pretend there's a historical connection here that scholars have established.


There may not be one.

It could be coincidence.

It could be a later association.

It could simply be an intriguing piece of symbolic wordplay.


And strangely, once I understood that, I still couldn't let the idea go.

Because something about the symbolism had already gotten under my skin.


What the Moon Made Me See Differently


Whether or not the word sin has anything to do with that ancient moon god, the image of the moon gave me a completely different way of looking at the idea.


The moon pulls.

It waxes and wanes.

It changes.

It affects the tides.


And across many traditions, the moon has been connected with emotion, cycles, the feminine, the body, intuition, and the parts of ourselves that don't always operate according to reason.


I started wondering whether that was why the image stayed with me.

Not because I believed the etymology was proven.

But, because I liked the image.


Sin as a tide.

Something that pulls at us.

Something that rises and recedes.

Something temporary.


And suddenly, sin didn't feel quite so much like a list of forbidden things.

It felt more like a movement inside us.


The Emotions That Depend on Time


The deeper I went, the more interesting it became.

The book I was reading made a distinction between emotions based not on whether they're pleasant or unpleasant, but on their relationship with time.


Anger needs a circumstance.

Fear needs something to fear.

Envy needs someone or something to compare ourselves with.

Greed needs something we believe we don't have.


These emotions can feel enormous, but they usually have an object.


Something happened.

Something might happen.

Someone said something.

Someone didn't say something.


Take away the circumstance, and eventually the emotion changes.


Then there are emotions like love, compassion, and joy.


I'm not sure I would say they're completely independent of circumstances.

Human beings are complicated, and emotions rarely fit neatly into categories.

But I understood what the idea was pointing toward.


There are feelings that seem to arise because of what is happening around us.

And there are qualities that seem to exist underneath what is happening.


I started testing that against my own life.

The anger I've carried has always had an expiration date.

Sometimes it took a long time.

Sometimes much longer than I wanted it to.

But eventually, even the anger that once felt permanent changed shape.


Love has been different.


The love I have for the people closest to me doesn't need a new reason every morning.

It doesn't disappear because someone had a bad day.

It feels more like something underneath everything else.


Like ground.


It's there whether I'm thinking about it or not.


Maybe Separation Is More About Attention


What if “separation from God” isn't simply punishment, but a state of consciousness?


This was the part that really stayed with me.


If some emotions are tied so tightly to time and circumstance, then I started wondering whether the old phrase “sin separates you from God” could be understood in a completely different way.


Not as punishment.

Not necessarily as God turning away from us.

But as a kind of noise.

A kind of static.


Imagine being so caught inside the last five minutes that you can't hear anything underneath them.


Someone hurts your feelings.

You react.


Someone disagrees with you.

You become defensive.


Something doesn't go the way you wanted.

You spiral.


For those few minutes, the emotion becomes the entire world.

And yet, underneath it, something quieter is still there.


Maybe that is what separation feels like.

Not that God has disappeared.


But that I've become so identified with the temporary that I can't sense what isn't temporary.


That thought changed something for me.


The Seven Deadly Sins Looked Different Too


Then I came across the seven deadly sins alongside their opposing virtues.


Pride — Humility

Greed — Generosity

Lust — Love

Envy — Contentment

Gluttony — Temperance

Wrath — Patience/Forgiveness

Sloth — Diligence


I’d heard these described so many times as a kind of spiritual checklist:

Things we weren’t supposed to do and what we were supposed to do.


But seeing them as opposites made me think about them differently.


What if these aren't simply labels for “bad people”?

What if they're different ways consciousness can narrow?


Pride can pull us deeper into ourselves.

Envy can trap us inside comparison.

Greed can make what we already have feel invisible because we are staring at what we don't have.

Sloth can become a kind of withdrawal—not restful stillness, but avoidance.

Wrath can make one moment feel bigger than everything that came before it and everything that will come after it.


And the opposing qualities seem to widen the space again.


Humility.

Contentment.

Patience.

Love.


Not because one side is worthy and the other side is worthless.

But because one contracts, while the other opens.


I don't know if that was the original intention behind every symbol or teaching.

But as a way of looking inward, it made sense to me.


The Parts of Me That Pass


Then I started thinking about some of my own worst moments.


How many of them were really moments where something inside me became compressed by something temporary?


I keep thinking about one ordinary day when I was tired, something small went wrong, and I said something to someone I love that I didn't mean.


In that moment, it felt enormous.

Completely real.

Completely justified.


And then a couple of hours passed.


The feeling disappeared almost as quickly as it had arrived.

Nothing about the situation had been as permanent as the emotion made it seem.


It was weather.


And I realized I'd spent so much of my life confusing the weather with the sky.

I had never really separated the parts of myself that pass from the part that remains.


That distinction feels important to me now.

Because anger can be real without being permanent.

Fear can be real without being who I am.

Grief can be real without becoming the whole of me.


A reaction can be mine without being my deepest self.


What I Think About “Sin” Now


I still don't know what the word sin ultimately means.

I don't know whether the word sin has any historical relationship to that ancient moon god.

I don't think it needs to.

What stayed with me wasn't the etymology.


It was the symbolism.


I started thinking of the reactive parts of myself as tides.


They rise.

They pull.

They can become powerful enough that, for a moment, I forget there is anything beyond them.

But they recede too.

And underneath them, something remains.


So when I think about separation from God now, I don't necessarily imagine a God who has walked away from me because I made a mistake.


I think about attention.

About identification.

About what I'm feeding with my awareness.


Am I completely absorbed in what happened yesterday?

Am I living inside what I'm afraid will happen tomorrow?

Am I letting one temporary emotion become the definition of who I am?

Or can I remember that there is something underneath all of that?


Something quieter.

Something that doesn't need the world to behave perfectly in order to exist.



♡𓂃adetriyani



Promotional banner for the book 'When the Light Found Me' by Ade Triyani, a spiritual memoir on the dark night of the soul, healing, and becoming whole. On the left is a teal, floral-patterned hardcover book with the title in gold script inside a circular frame. On the right, white text on a dusty blue watercolor background describes the book's contents — prayers, meditations, journaling methods, practices, class insights, and resources.

Click HERE to Start Reading


More Reflections

Black-and-white portrait of Walter Russell beside his quote: \"Your body is merely a machine made to express the thoughts that flow through you and nothing more. It is but an instrument for you to express your imagings just as a piano is an instrument for a musician to express his imagings. Just as the piano is not the musician, so, likewise, your body is not you.

The Color of Thought and the Light We Are

In Russell's framework, a frequency is register as colours in the astral plane. He viewed everything as vibration, vibration as light, and light as color. Then emotion was never truly invisible at all. We simply haven’t had the eyes to see it directly.


That's the part that unsettles me most. If our inner states are constantly broadcasting a frequency, then privacy, in the way we normally think of it, might be an illusion of the physical plane only. 

Vintage anatomical engraving of a man's upper body and outstretched arm on aged parchment, showing muscles, bones, and tendons in detail. The figure is set within geometric circles and measurement lines, styled after classic Vitruvian proportion diagrams, symbolizing the connection between the physical body and deeper structure.

The 5 Senses and The Eye of Horus

Our senses, mind, and even spirit are all more connected than we ever realized. Sight, hearing, touch, taste, and smell — each one is a doorway. They let our brain take in information from the outside world.


But central nervous system (brain and spinal cord) does the real work. It picks up light waves, sound vibrations, and other signals. Then it turns all of that into electrical signals. Our brain reads those signals. That's how they become the experience of "seeing" or "hearing" something. This idea connects directly with the ancient Egyptian symbol called the Eye of Ra.



close-up of a person's blue-green eye and eyebrow, lit softly with a faint reflection visible in the iris, evoking the eye as a receiver of light rather than simply a window looking outward.

What Eyes Taught About Consciousness

Our eyes don't really "look out" at the world the way we assume. They receive.


The retina's job is to absorb light, turned into signal, sent down the optic nerve, and handed over to the brain to be built into an image.


That word — absorb — is what caught me.

Not "capture." Not "witness."


The retina functioning almost like a tiny black hole, drawing light inward so it can be processed. It connected that to something I'd seen before in passing but never really looked at — the Sigil of Lucifer.