Your Cart
Loading
Witch's Cottage 3: Interior wall texture and fireplace
The downside of a house hinged down the middle instead of with doors on the front is that it doesn't leave a lot of room to add a fireplace and chimney. I decided that the easiest place to add this would be to enlarge one of the windows and build th...
Read More
De-WIP December
I was scrolling way too late on Instagram last night and happened upon a reel of someone who dedicates December to finishing off works in progress. Her method is to scour the house for all of the unfinished projects and things that need mending and ...
Read More
One large and one small embroidery hoops on a green fabric background. The hoops contain off-white fabric. The larger one has the rough shapes of an aerial view depicted in a variety of stitches. The smaller hoop contains circles of textured knot stitches
Stumpwork - A 3D embroidery project
I've admired the aerial view embroidery of Victoria Rose ever since her work first crossed my feed on social media. Along with the beautifully realistic faux pinned insects created in stumpwork embroidery by Megan Zaniewski, it made me want to have ...
Read More
Witch's Cottage 2: Floorboard Staining
The bricks will need another coat of brick red to get a good solid colour, then highlights and shadows to accentuate the contours. As that continues, I also took some time to stain the floorboards inside. These were made from strips of balsa wood cu...
Read More
A pink doll's house where the original printed wall and roof details have been replaced with 3D textures made from cardboard and foamboard.
Witch's Cottage
A while ago I got a very simple dollhouse from the local charity shop. It was a thick plywood thing with printed on details that a previous owner had attempted to engrave. I initially thought about finishing the engraving, but the details were quite...
Read More
Seed to Cloth - Written Material and Tools
Two booklets are included with the Seed to Cloth kit. The first is Flax and Linen, A Shire Album by Patricia Baines. This describes the flax plant and the various processes involved in turning it into linen cloth with historical photographs and diag...
Read More
The top of a dark green presentation box with a printed label. The label reads
Seed to Cloth - Unboxing
Not long ago, I got into a conversation on Bluesky with someone who had just discovered that nettles could be used as a source of fibre for making cordage and cloth. I mentioned that I'd heard the processing was very similar to that of flax to turn ...
Read More
Deer God: 103 hours
I shaved down the belly fur and some of the back fur, neatened up the belly fur by lightly reverse needling and filling in any obvious gaps, and started building up the fur on the chest and upper back.
Read More
Deer God: 98 hours
Added long fur to the belly with the intention of shaving it down using a hair trimmer. I'm hoping this results in a more consistent length than using scissors.
Read More
Deer God: 95 hours
Today I added fur to the arms, from the wrists up to the shoulders. Because I can't use a reverse needle to pull fur from inside the sculpture, I had to attach wool in sections and then trim it to the correct length.
Read More
The back of a needle felted sculpture of an anthropomorphic deer. He's wearing an improvised loincloth that's notched to show his tail, and his lower back has longer fur.
Deer God: 91 hours
After making him a little loincloth so he could go back on Twitch streams, I worked on the longer fur on his sides and back, building up a bit of a mane but leaving it long enough to blend with the fur below the belt of the loincloth and shape it bet...
Read More
A needle felted sculpture of an anthropomorphic deer sitting cross-legged. It's censored with a pink heart sticker. Its legs and lower abdomen have had longer, more realistic fur added
Deer God: 76 hours to 88 hours
Because our deer god is strongly associated with masculine energy and fertility, he's got stag-parts. I had to take a little break from streaming the progress so I could felt and add those parts and add more realistic leg fur, then make him a little ...
Read More
The head and shoulders of a needle felted sculpture of an anthropomorphic deer. The face has been filled out more and has some colour added, which is still loose and fluffy towards the back of the head.
Deer God: 76 hours
I added some colour to the face and started shaping the nose pad.
Read More
The head and shoulders of a needle felted sculpture of an anthropomorphic deer. The face hasn't been coloured but it now has musculature and eyelids.
Deer God: 71 hours
I added some musculature to the face, and carefully felted the eyelids around the eyes.
Read More
The face of a needle felted anthropomorphic deer, partially completed. It looks like a skull with eyes. The irises are gold.
Deer God: 66 hours 30 minutes
A bit more work on the colours up the back and around the neck, and the eyes are now in the skull. I call this his "Skeksis era" because of how strongly he resembles the monsters from The Dark Crystal film.Jokes aside, I'm really happy with how reali...
Read More